The B-Boy Billions is a battle cry for greater ownership of Hip-Hop plus Rhythm and Blues music. A global commerical powerhouse as the number one music genre in the world, accessing the $77 Trillion dollar of capital markets around the world is the financial industrial frontier for Hip-Hop culture of independence.
The B-Boy Billions: Capital for beats, Breaks, and Bonds explores the current evolutionary stage of the issuance of song- backed securities or bonds (copyright bonds or "Bowie Bonds") from music copyrights of hip-hop with rhythm and blues song catalogs. Spearheaded on the London Stock Exchange by Hipgnosis Songs Unlimited (aka "The Family" with Niles Rogers and Merck Mercuriadis), buying song catalogs for stock trading has become a trade practice that continues increasing with the catalog purchases from some of the most award winning producers like The Dream, Timbaland, Pooh Bear, and many more. Will this new capital growth opportunity become a bridge for economic expansion of culturally minded entrepreneurs or a pillage for purely capitalistic gains. A challenge for preserving Hip-Hop's cultural integrity or (as referred to in the hip-hop cult classic film Beat Street) a co-opt from " biters" or contemporarily known as "culture vultures".
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